Stone Telling 3: Whimsy

The third issue of Stone Telling was released yesterday, full to bursting with a dizzying profusion of whimsy.

I haven’t yet had a chance to read the full issue, but have instead sampled here and there as fancy took me. There’s a new poem by Catherynne M. Valente – the first in nearly two years! – that makes me want to amble on the range and shed fierce tears and laugh in the seized grasp of truth. “The Secret of Being a Cowboy” is powerful, and the accompanying audio recording by SJ Tucker in an Arkansas accent brings that point well home.

Sonya Taaffe’s “Persephone in Hel” is a paragon of macabre beauty and leaves me both delighted and creeped out. A startling juxtaposition to be achieved by one poem, but it’s true! Jo Walton’s “The Weatherkeeper’s Diary” is a slow little bit of cloud-gathering, equal parts pragmatism and whimsy. The timbre of Walton’s poem suits this issue of Stone Telling entirely, and adeptly strokes the reader’s imagination.

Beyond these, there’s a pantoum inspired by mathematics, a haunting prose poem concerning Lot’s wife (who deserves a name), kaleidoscopic poetry invoking the chaos of cities, and several other pieces as unlikely and surprising. The accompanying images are deftly chosen by Rose Lemberg, and there are audio recordings of the poetry where available.

Stone Telling is also unique among poetry zines in its inclusion of nonfiction columns. In this issue, you can find an article by Nin Harris on Muhammad Haji Salleh’s Sajak-Sajak Sejarah Melayu, as well as one exploring the pantoum that I am honored to have contributed.

In “There is That Line Again: Revealing the Pantoum in Context,” I explore how the pantoum emerged into the Western poetry scene from the Malay pantun. I included quite a few examples of Malay poetry, French poetry, and poetry in English, along with the historical context and an expanded definition of the pantoum form. If you have any interest in poetry, I hope you’ll read it – if you do, tell me what you think!

After you’ve read this fantastic issue of Stone Telling, be sure to continue on to the roundtable led by Julia Rios – this is another unique aspect of Stone Telling, and one that never fails to foster important conversations.

This issue of Stone Telling can be discussed at stonetellingmag, the zine’s Livejournal community. Also, if you’ve enjoyed the publication and are interested in supporting the arts, please consider leaving something in the tip jar at the bottom of this page.

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Of cats and birthdays.

Today is my thirtieth birthday, and that definitely feels odd to type. I don’t feel thirty years old, nor am I sure what thirty is meant to feel like. My day began with errands (emissions test, tag renewal) and exercise (biking, aerobics). It’s closing with writing creatively, teaching myself crochet, replaying Kingdom Hearts, and a decadent Italian dinner (but with only half a tira misu). Perhaps I’ll wedge in a viewing of one or two of my birthday gifts (How to Train Your Dragon and Scott Pilgrim vs. the World).

Maybe this is what thirty feels like, this mixture of responsibility, self-respect, creativity, and silly fun. That’s not bad at all.

Happy birthday also to Mary Robinette Kowal1, Jules Verne2, John Ruskin3, Seth Green4, and Kate Chopin5!

Each and every one of you should do something awesome today, and be excellent to each other. Get excited and make things. Maybe even say it was done in the name of me. I would be amenable to that!

Here’s something both enjoyable and generous you could do:

Erin M. Underwood is raising money to donate to the Great Lakes Bengal Rescue, an organization dedicated to helping Bengal cats in need. As part of this effort, she solicited cat poems from the online community and has posted them along with images of some absolutely gorgeous Bengal cats and a donation link.

Go. Enjoy free cat poetry, and give a little if you can.

You will find a poem of mine entitled “Fae Cat Fib” in there. It was originally inspired by the Cait Sidhe in Seanan McGuire‘s October Daye series, although the final piece also drew upon the Scottish legends of the Cait Sith. The poem is also informed by the Fibonacci sequence: I set out to write a fib, but decided I wanted to mirror the structure in the end.

Brittany Warman’s “My Cat is a Collector of Stories” is one poem particularly deserving of your attention in the collection: it’s infused with an elegant fairy tale sensibility, and phrases both fully apt and startlingly resonant. Jess Mersky’s “Alice is Missing” evokes shivers of dark delight, summoning to mind the black and white kittens from Lewis Carroll’s Through the Looking-Glass and What Alice Found There. “Reveille” by Martha Wallen makes me laugh because it’s so true, and Amanda Gannon’s turns of phrase in “Cat in the Doorway” are gorgeously constructed and perfectly evocative.

Read poetry. Help bengal cats in need, if you’re moved to do so: make a donation, or spread the word of Poetry for Cats.

And have an awesome day.

Notes:

1. Who wrote the delicately enthralling Shades of Milk and Honey, one of my favorite books of 2010.

2. Who is being honored with a great interactive Google doodle!

3. Who may have inspired his friend George MacDonald, who wrote Phantastes, The Princess and the Goblin, and many other fantastic works.

4. Who made me love him as Oz in Buffy the Vampire Slayer and is stunningly well-connected in Hollywood.

5. Who wrote The Awakening, one of the more engaging books I was tasked to read in a rather intellectually painful high school English class.

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Writing for Queensland

It’s good to be able to talk about wordcount again, especially when it involves a saucy selkie and her misguided suitor. And the selkie’s sister, who’d really rather be a firespinner, thank-you-very-much. Did I mention she’s dating the carnival’s Queen of Serpents? She is.

These characters are already rolling on into new stories, even as I’ve worked at finishing this one for submission to 100 Stories for Queensland. I’ve got mischievous plans for that carnival’s denizens and an independent theatre in Montgomery, Alabama.

…this is what happens when I listen to Seanan McGuire‘s Wicked Girls on loop for a while, with a mad dash of Lady Gaga and a judicious sampling of Seanan’s earlier album, Stars Fall Home. They compose the perfect creative soup for mythic madcap merriment.

But, yes, wordcount! The original draft of “Binding Tides” was in the neighborhood of 1200 words, which was really a bit shorter than it needed to be. However, the maximum wordcount permissible for the 100 Stories for Queensland benefit anthology was 1000 words. That’s it.

Cue bringing out the scalpels, along with the weeping and the gnashing of teeth.

The worth of a word is so precious when you’re dealing with so few. Implications, nuances, whole delicate architectures of suggested backstory can fall away with just one excision.

I’m not sure I’ve ever appreciated disused quite so much.

Thanks to copious teeth-gritting and fine paring work – but more to the tireless efforts of my crack coterie of friendly beta readers – I made “Binding Tides” come in at the maximum wordcount and sent it off to the editors last night.

Regardless of whether it’s accepted, I’m pleased that I wrote so quickly and to spec, for the first time in a very long time. It’s refreshing.

100% of the money made from 100 Stories for Queensland goes to supporting those impacted by the flooding in Australia. The anthology is due out in late February or early March, in both print and ebook formats. Y’all should absolutely purchase it, for it promises to be full of good fiction for a really good cause.

And maybe even my selkies.

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